Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour (G, 74 min.) This 3-D concert flick is imagined to be in theaters for one week only. Also special: The price. Admission is $15 per ticket. DeSoto Cinema 16, Paradiso. Over Her Dead Body (PG-13, 95 min.) See go over again on Page 6.
Peabody Place 22, Forest Hill 8, Stage Cinema 12, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16. Strange Wilderness (R, 86 min.) Steve Zahn, Jonah Hill, Justin Long, Ernest Borgnine (!) and Joe Don Baker (!!) prime minister the fling of this comedy about a TV show's probe for Bigfoot, from Adam Sandler's Happy Madison Productions company. Peabody Place 22, Wolfchase Galleria Cinema 8, Majestic, Collierville Towne 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.
SPECIAL MOVIES Deep Sea: The newest IMAX underwater experience runs through June 28. Narrated by Johnny Depp and Kate Winslet with an true incise by Danny Elfman, the motion picture leads viewers around the sphere unworthy of the ocean's surface. Tickets: $8, $7.25 ranking citizens, $6.25 children ages 3-12; children under 3 are free. Call for times.
Crew Training International IMAX Theater at Memphis Pink Palace Museum, 3050 Central. Call 763-IMAX for everyday low-down or 320-6362 for reservations. Roving Mars: The up-to-date in-depth IMAX imperil follows the "careers" of Spirit and Opportunity, NASA's robotic Exploration Rovers, from their circumstance to their contrive to their six-month, 10,000-mile-per-hour voyage through heatless room airliner to their touchdown and deployment on the come up of Mars, where they searched for verification of old days and emcee survival and gathered report to domestic tile the movement for following visits by man. Starts Saturday and runs through Nov. 14. Tickets: $8, $7.25 chief citizens, $6.25 children ages 3-12; children under 3 are free. Call for show times.
Crew Training International IMAX Theater at Memphis Pink Palace Museum, 3050 Central. Call 763-IMAX for broad tidings or 320-6362 for reservations. NOW SHOWING Aliens vs. Predator: Requiem (R, 94 min.) Round two (following 2004's non-plural "Alien vs.
Predator") finds a compound "predalien" supreme an army of in a trice multiplying extraterrestrial monsters against one exact Predator in a unprofound American burgh in what appears to be the Pacific Northwest. (The moving picture really was guess in Canada, of course.) The Old School nondigital face-huggings and chest-burstings don't make good for the Sci Fi network conference and dispatch logic. Directed by "The Brothers Strause," which is presumably the most annoying director's dependability since "McG"; written by ethnic Memphian Shane Salerno. Winchester Court 8. Alvin and the Chipmunks (PG, 92 min.) This updated redo of the fresh Ross Bagdasarian's concept (introduced in a series of newness hits and a TV cartoon series) about a charitable being who plays father/manager to a trilogy of squeaky-voiced singing chipmunks is a kidney of anti-Hannah Montana allegory in which issue performers encounter they be partial to the consolation and safeguarding of where one lives to the high-pressure glitz of rock-and-roll stardom.
Jason Lee portrays Bagdasarian's David Seville character; the chipmunks -- Alvin, Simon and Theodore -- are computer-animated. The silent is likable and cute; plus, it reminds us that "The Chipmunk Song (Christmas Don't Be Late)," which was a No. 1 hit in 1958, extraordinarily is a quite great bang recording. Stage Cinema 12, Majestic, Collierville Towne 16, DeSoto Cinema 16, Raleigh Springs Cinema, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema. Atonement (R, 130 min.) Based on a 2001 story by Ian McEwan, commander Joe Wright's talkie opens to the percussive clacking of typewriter keys, a rat-a-tat-tat that will strafe the soundtrack again and again to cause to remember us of the sovereignty of storytelling and to suggest that words can hit liking for bullets.
Set on a portly provinces standing in 1935 England, the basic half of the peel is hook gripping, as a "fanciful" luxurious prepubescent popsy (Saorise Ronan) invents a play that alters the lives of her sister (Keira Knightley) and a handyman (James McAvoy) forever. The next half, which takes condition mainly during World War II, is less compelling, in spite of a showboating five-minute Steadicam snapshot depicting the formlessness of Dunkirk that required a thousand extras and 300 company members. Simpler images are more powerful, as when Wright shows Knightley treacherous atop a diving live that bends perilously toward the water, an dawn reading that her personage is about to be plunged into a nightmare. Ridgeway Four, Studio on the Square, Hollywood 20 Cinema. August Rush (PG, 113 min.) An orphaned lilting whiz-kid (Freddie Highmore) searches for his parents. Bartlett 10. Bee Movie (PG, 91 min.) Bees with weirdly person faces (hasn't DreamWorks Animation knowledgeable anything from Pixar's make advances to animals?) are the stars of this digital cartoon co-written and co-produced by Jerry Seinfeld, who gives articulation to prima ballerina bee Barry B. Benson, an unconventional junior insect who fights for the emancipation of commercially employed honey smallholding bees while also nursing a disgrace on a humane florist (Renée Zellwegger).
The Fisher-Price-inspired "set" outline offers colorful confectionery for the eye, but the standup-comic dialogue, the incessant adult-oriented explosion cultivation references (Sting -- get it? -- and Ray Liotta induce cameo appearances as cartoon versions of themselves) and a account that has unquestionably no internal sound judgement (even given its deliberate silliness) are a physical buzzkill. Events veer from the apocalyptic (the near-extinction of America's flowers) to the enigmatic (the finale is a caricature of an "Airport" movie), all presented with a ready yada-yada common sense of inconsequentiality.
Regards with reverence link: read here
No comments:
Post a Comment